On Every Link at the Lark!

The historic courthouse in Thebes, Ill.

 

It’s been a busy few weeks—which included a long overdue return to THEBES, ILLINOIS—so I’m behind the curve on sharing all this here, but if you haven’t heard, On Every Link a Heart Does Dangle; or, Owed will be workshopped at the Lark as part of their BareBones program this April/May! In addition to being the culmination of Apothetae/Lark Fellowship, this will also mark my first time getting to work with director and fellow UCSD alum Meredith McDonough, and I’m pretty excited to share the work we’re going to be doing in New York this spring.

We’ll be announcing the full cast soon. In the meantime, here’s the press release:

NEW YORK, NY – The Lark is thrilled to announce its BareBones® program will return this season with a workshop production of On Every Link a Heart Does Dangle; or Owedby Tim J. Lord, directed by Meredith McDonough. The play, a radical reimagining of the Oedipus myth, will run at The Lark’s BareBones® Studio from May 10–19, 2019, at 311 West 43rd Street, 5th Floor, in New York City.

BareBones® productions are simply staged, public presentations of plays in the later stages of development, and are The Lark’s most intensive development workshops, with plays receiving three weeks of rehearsal and up to eight public performances. In On Every Link a Heart Does Dangle; or Owed, the town of Thebes, once the jewel of Southern Illinois, has fallen to ruin. The river has turned poisonous, the crops are failing, and pregnant women and their unborn babies are dying mysterious deaths, all while the town’s leader has locked himself away.

“This play began as an Oedipus adaptation set in Southern Illinois, but I soon found I wasn’t interested in creating another adaptation of a story about a man who creates a problem, refuses to listen to those trying to help him, then bewails the fate that was thrust upon him,” said Lord. “So I pushed Oedipus offstage. Instead, I wanted to focus on the most vulnerable people in this world. Those left to deal with his inability to see what’s killing Thebes. The new central character is a young woman born in poverty and shunned because she was born with a disability.”

Lord has been developing the play through his residency with The Lark in The Apothetae and Lark Playwriting Fellowship, which is granted in partnership with The Apothetae(Artistic Director, Gregg Mozgala), and provides a two-year cycle of support to a Disabled writer for the generation of a new play to essay and challenge perceptions of the “Disabled Experience.” Tim became the inaugural recipient of the Fellowship last season, receiving a $40,000 prize and a $5,000 opportunity and resource fund, as well as outreach and scouting toward the commissioning and development of the new play, and a $10,000 production enhancement fund.

“But Every Link isn’t a play about disability,” said Lord. “Like the play that inspired it, it’s about power—who has it and how they hold onto it. It’s about understanding that true power comes from being entrusted with it. And it’s about learning to own one’s power. I’ve had the great gift of unwavering support from The Apothetae and Lark Playwriting Fellowship over the past year and a half. It’s allowed me to tell this really big, ambitious story from a perspective that is often overlooked, so Every Link is also a play about enabling people to tell their own stories.”

On Every Link a Heart Does Dangle; or Owed is a theatrical event expected to run approximately three and half hours, and is a work-in-progress, subject to change throughout the run in order to support the development of this epic story. The play has also received development through The Lark’s Project on Tyranny, Winter Writers’ Retreat, and Roundtable programs, as well as at the University of Minnesota, The Playwrights’ Center, and at the Kennedy Center.

“Tim’s play is adventurous and incredible,” said Lloyd Suh, Director of Artistic Programs at The Lark. “It uses classic myths of history and explodes myths of disability; a heroine’s journey told with wild theatrical imagination.”

“And there’s a journey into a monster’s lair called the Panther’s Den,” said Lord.

Public performances begin May 10 and run through May 19. Seating is limited, tickets are free, and you can make your reservation here.

 

Hope to see you at the Lark this May!

The World Is Watching

bigbrother

“Yeah, well…I’m watching your ugly mug right back.” Artwork (c) Mark Dallmeier

 

 

WordPress gave me my stats for the year.

I had 11 views that originated in Russia and the most searched-for terms in 2013? “we declare you a terrorist.”

Clearly, FSB knows I’m out here.

I also had 4 views that originated in Pakistan, 4 views from India, and another 4 from Saudi Arabia. And 2013 featured me writing a 10 minute play with CIA agent characters set in Pakistan.

So I guess that ISI, JIC, and GID know I’m out here too.

And then there was Better Homes & Homelands at the Drama League’s DirectorFest, helmed by the exquisite Nicole A. Watson, who–most exciting of all–did me the honor this year of saying, “Yes, she would.”

Which reminds me, we should add NSA and the “Subdivision Committee” to this list because they’re watching everybody.

With stats like those, I guess that 2013 was a pretty successful year and I’m way more popular than I thought.

So Happy New Year to one and all and here’s to more peaceful, political dissent and theatrical dialogue in 2014.

Brenda Lives!

 

DirectorFest-2013-EBlastWe start rehearsals today for the New York Premiere of Better Homes & Homelands! Very excited to see Brenda return to the world of the living.

Hope to see you all soon!

Better Homes & Homelands
by Tim J. Lord
directed by Nicole A. Watson
Featuring: Kelley Curran, Amy Hutchins, and Lipica Shah
TBG Theatre, 312 W. 36 St., New York, NY 10018
Tickets = $18*
Thursday, December 12 at 7pm
Friday, December 13 at 8pm
Saturday, December 14 at 2 & 8pm
Sunday, December 15 at 3pm 2013
Brenda knows growing the perfect garden will please Jesus, not to mention her kids, her politician husband, and the subdivision committee. Too bad her mysterious, horticultural benefactor seems to come from an altogether more subterranean place.
*The play is an AEA showcase, so AEA members should be able to get comps.

 

“Who are you?!”

“Who are you?!”
“We’re….Batmen.”

Adam Szymkowicz is a mad man — a mad man playwright with a dream to interview every playwright he can get his hands on. So he’s not a mad man you have to be scared of. He’s the good kind of mad man, like Edison or Bell or Einstein or…Batman.

That’s it: Adam Szymkowicz is the playwright Batman.

And I’m his latest interview.

Check out his work too while you’re at it. His play Incendiary has 3 more performances at Wishbone Theatre Collective in Chicago.

“The hammer clicks in place….” but only 3 more times

New headshot. I’m going for “serious, but still a fun guy to hang out with, and maybe a little bit mischievous.”

Hi all,

The production in LA is going very well, and everyone except for this guy is very excited about it. Yes, that’s what is known in the review world as a “pan;” but I can’t help it if I’ve sullied the Greeks with things like sex and swearing. I’m sure they were all pretty puritanical, didn’t fuck around or stuff like that. That must be why their myths are all so dull.

Anyhow, there are 3 performances left. Tonight’s is sold out but there are still tickets left for Friday, June 1, and Saturday, June 2. They are available here. But be quick. There aren’t many left.

And if you attempt to buy tickets but find them all sold out, come to the theater anyway. We’ve had no-shows at every performance, so if we can, we’ll squeeze you in at the last moment.

I will be at all performances, so I hope to see you there.

P.S. Thoughts on that head-shot? Funny background, but that’s my backyard so it seems…appropriate(?)