Month: March 2020

I wrote a #newplay in 24 Hours

Tune in TONIGHT (Tuesday, March 24) at 6pm to see my play “The Time Machine,” starring Ryan Haddad.

Excited to share that I was asked to write for the latest round of The 24 Hour Plays: Viral Monologues. I got to write for the inimitable Ryan J. Haddad, and I’m so excited to see him work his magic!

Tune in TONIGHT (Tuesday, March 24)  on their website and/or on their Instagram channel @24hourplays. They’ll start posting monologues at 6pm EDT, with a new one being posted every 15 minutes.

And check this out: my name is mentioned on Playbill.com in the same press release as Hamilton star Daveed Diggs.

 

UPDATE on “We declare you a terrorist…”

 

 

Hi all.

So thrilled to share some news about my play “We declare you a terrorist…” 

This past fall, Round House Theatre in Bethesda, MD, expressed their interest in producing the play and offered me a finishing commission to do a big rewrite of the play. I gladly accepted and dove back in to working on it.

Well, I’m happy to share that Round House has officially announced that they will be producing WDYAT during their 2020-21 season with Artistic Director Ryan Rilette & Jared Mezzocchi at the helm.

Check out the official season announcement here. Terrorist will run from April 6-May 16, 2021.

Until then, you can check out pictures from the SPF 2009 production here.

And read an excerpt here.

And if you’re thinking, “Hold on, hold on, back up a sec. Tell me more about this play.” Then this section is for you:

We Declare You a Terrorist examines the 2002 Moscow Theatre Hostage crisis and the ways in which it changes one of the survivors, leading him down a road of dissent and resistance against the burgeoning dictatorship his home is turning into. After being held hostage in a Moscow theater by terrorists demanding an end to Russia’s war in Chechnya, one man is still haunted by the relationships he made during the crisis and unable to move past the tragic events that surrounded the siege’s conclusion. In a desperate attempt to understand where he and his country have come to he attempts to sneak into Chechnya only to be captured by Russian agents and suspected of being a terrorist himself. All alone in an interrogation room on the Russian frontier he is forced to confront just what happened during those fifty-seven hours in 2002.

The play is a 4-hander which bounces back and forth before the Dubrovka Theatre in 2002 and an interrogation room on the Russian frontier in 2003.

If you’re interested in producing it, don’t hesitate to reach out to me at the following:

timjlord.playwright [at] gmail [dot] com