As it’s most imminent, I’ll start with an upcoming online workshop with Phamaly Theatre. Last year, I started writing The Hard Price at The Orchard Project as their inaugural Reg E. Cathey Writer-in-Residence. Set in North Dakota oil country and spanning the United States’ two wars in Iraq, the play follows the effects of those 2 conflicts on 2 generations of the Erekson Family, using the story of The Oresteia as a jumping off point. (What? Me adapt a classic Greek play? How unexpected…)
In September 2019, I got to hear a very rough draft read at The Lark. (Lords, remember when we could just hop on the bus, get off in New York, walk a few blocks and be welcomed by the loveliest and most talented people? #fuck2020). I’ve been working on the play since then and recently completed a more polished draft that I get to work on for a few days with Phamaly Theater and a few of their core artists. If you don’t know Phamaly, it’s a great time to get acquainted. They’re a Denver-based company that serves as an artistic home for artists with disabilities. Remember how awesome Ali Stroker was when you saw her perform as Ado Annie in Oklahoma/on the Tonys? Cool, now imagine the entire cast is that same kind of awesome. The Artistic Director at Phamaly is the incomparable Regan Linton, and I’m really thrilled to have been invited to collaborate with her and her peeps.
I also get to work with the phenomenal Jessica Kubzansky who, as both a freelance director and as artistic director of Boston Court Theatre in Pasadena, has brought the most exciting plays/productions to the LA Basin.
As if all that wasn’t good enough, this project will be a lovely, cross-generational, UCSD get together as I (class of ’06) get to work with the aforementioned Regan Linton (class of ’13), AND MacGregor Arney (class of ’16).
So, really, what’s not to love?
The workshop will be closed to the public but I’m very excited about this play, so write to your Congressional representatives BECAUSE WE NEED ELECTION SECURITY NOW. And then, hopefully, in some post-45….er, post-Covid-19 world, this play will quickly appear on our stages.
Hi friends, 2018 is off to an exciting start with 2 new short plays in production.
Thrilled to announce that 
On a cold November night back in 1994, I was walking through Standish Park in Galesburg, Illinois. It’s an old park with tall trees, and the sound that came spilling down from the treetops was unlike anything I’d ever heard. An enormous flock of crows had alighted there and for the first time ever I understood why a large group like this was called a “murder.” They stayed there for much of the winter, their myriad voices crying out as I walked below them. And then one day they were just gone.
Plop
First up in the first quarter of my 2016 is a new 10-minute play written for the 52nd St. Project’s next show: The Nick of Time – The Punctual Plays. My play is called “Polar Bear Service & Repair,” a buddy, roadtrip comedy starring Adam & Justin, two of my favorite kids who are members of the Project, and directed by Sean Kenealy.
Tim J. Lord 