Henry J. Lord (ca. Nov 8, 2010 – Feb. 25, 2024)

So, you may not know it, but we lost Henry just over two years ago. I didn’t post much about it back then because it was too sudden, too gutting (far more than I was prepared for in spite of trying to prepare myself for the inevitable day). And honestly, the two years since without him have also been infinitely harder than I ever could have imagined. But he was a truly fabulous critter and he deserves to be celebrated, so here’s his long overdue tribute. And read through to the end because ultimately it’s the happiest of stories. 

Henry J. Lord was born some time around early November in 2010, most likely in the San Fernando Valley. By end of March 2011 he’d been rescued from the North Hollywood Animal Shelter by a woman who’s still saved in my phone as “Robin the Dog Rescuer.” Shortly thereafter I met him outside the Larchmont farmers market, where Robin would set up several pens for the dogs she was trying to find forever homes for. This isn’t actually a picture of the first time I saw him. But it’s close enough. 

After a series of false starts Henry came home on April 11. I met Robin in a parking lot opposite Mozza. He cried a little as we drove off, wondering why Robin wasn’t coming with us. This is definitely the first photo from that auspicious night:

He woke up the next morning, apparently, 100% bonded to me. We took a walk and he dropped the biggest turd imaginable for a 10 pound, 5 month old pup to mark the occasion. 

 [ (no photo found) ]

I did not return the favor but I took it as a sign that we were both comfortable with one another. 

The following months were filled with adventures around Southern California, the biggest of which was definitely his first camping trip to Sequoia National Park. For someone who knows/loves national parks a lot you’d think I would know that dogs weren’t allowed on trails. I didn’t, so we hiked anyways, and thankfully no one seemed to mind (most likely because we were there ahead of the peak season). Note: I do not advocate for ignoring this rule, but it did land this spectacular photo of H among the Sequoias and I would happily pay the retroactive ticket. 

On August 21, we embarked on our first big road trip together, a cross country burn from LA to St. Louis. Neither of us realized it then but it would be the last time Henry ever set foot in California. On that particular trip we ended up driving through Nevada, Utah, Colorado, Kansas, the length and breadth of Missouri, Nebraska, both Dakotas, Minnesota and Iowa.

But South Dakota was the most important part of that trip because it was there that he had the great foresight to seek out one Nicole A. Watson in an open field during a display of the northern lights. There were lots of people mingling about but she was the only person he ran up to and intentionally greeted. He had never met her—and I had only just met her the day before—so the message was clear: She had his stamp of approval. And the rest, as they say… 

(No, Henry, that’s NOT the photo I was planning to— No. You’re right. Too cute not to use.)

Later that fall, he became an NYC dog and he took to the city with aplomb. He was absolutely no good at scaring off mice but he did make friends wherever we went—his name was known throughout at least 3 of the boroughs while I was reduced to “Henry’s person,” but, you know, fair enough. That was true wherever this little dog went. People who met him only once have continued to ask about him through the years—I’m really not exaggerating here. Two examples: He rated a mention in a sermon at Nicole’s parents’ church in Atlanta; and last summer Nicole & I were in back in New Jersey for a party, and our friend’s sister, who met Henry exactly once, both asked about him and was clearly saddened when she heard that we’d lost him, and that is a comfort I will carry with me the rest of my days.

Big city requires a big photo. This will be the jacket photo for his forthcoming autobarkgraphy.

He set foot in 33 states plus DC and crossed the border into Canada on a trip to Toronto and the shores of Lake Huron. In addition to the Sierra Nevadas we hiked together atop the Continental Divide in Colorado and all throughout the Appalachians from North Carolina up to Vermont. He was the official mascot of our annual playwriting retreat in the Adirondacks—

—and once, while backpacking in Harriman Park, it was so much colder than we expected, that he crawled into my sleeping bag with me and we made it work. He romped across beaches on the Atlantic, the Pacific, and the Gulf of Mexico, touched the headwaters of the Mississippi, and successfully claimed “ownership” of an In ‘n Out when he peed on all four corners of their lot. He was a part of all my nieces’ and nephews’ lives from their births to his passing. He was there when I proposed to Nicole and there when we got married. 

Along the way he made many dog friends, most of whom have also joined him in whatever beautiful place it is that dogs go to when they pass over. These friends include Toby & Seamus, Coco, Miles & Maynard, Jai, Maddie & Milo (though Henry definitely liked Milo better than Milo liked him back. That’s okay; we still loved Milo).

Whenever I think of how unbearably awful the world these days can be, I try to remind myself that there’s a parallel universe where Henry never came home to me at all and how lucky we all were to have him with us through some truly dark days. I could probably write about him every day for the rest of of my life and never finish telling his story, so I’ll just end this eulogy with this one perfect photo:

Rest easy, Kid. We miss you every day. And know that your spirit lives on in both our memories of you and in the indomitable, lovely little spitfire of a younger brother who joined us just a few weeks ago. His name is Jasper and we’re certain the two of you would have been instant besties. 

We Declare You a Terrorist Now Available in Print

Excited to share that WE DECLARE YOU A TERRORIST has been published by Dramatic Publishing! When I started writing this play (many lifetimes ago) it was in direct response to the ways I saw our country peddling fear in order to suppress healthy dissent—unfortunately that’s a reality which has only become more and more relevant. It’s an often heavy play, but it is not without humor and hope as it explores the necessity of personal expression and art in the fight against tyranny.

Many thanks to Round House Theatre for producing it, to The New Harmony Project who first developed it, and to everyone who’s ever had a hand in helping me bring this story to life.

Get your hard copy now! or, you know, produce it!

A natural gas flare in North Dakota. A rainbow appears to arc over it. An image of hope, or of despair?

A new play and new collaborators

A natural gas flare in North Dakota. A rainbow appears to arc over it. An image of hope, or of despair?

As it’s most imminent, I’ll start with an upcoming online workshop with Phamaly Theatre. Last year, I started writing The Hard Price at The Orchard Project as their inaugural Reg E. Cathey Writer-in-Residence. Set in North Dakota oil country and spanning the United States’ two wars in Iraq, the play follows the effects of those 2 conflicts on 2 generations of the Erekson Family, using the story of The Oresteia as a jumping off point. (What? Me adapt a classic Greek play? How unexpected…)

In September 2019, I got to hear a very rough draft read at The Lark. (Lords, remember when we could just hop on the bus, get off in New York, walk a few blocks and be welcomed by the loveliest and most talented people? #fuck2020). I’ve been working on the play since then and recently completed a more polished draft that I get to work on for a few days with Phamaly Theater and a few of their core artists. If you don’t know Phamaly, it’s a great time to get acquainted. They’re a Denver-based company that serves as an artistic home for artists with disabilities. Remember how awesome Ali Stroker was when you saw her perform as Ado Annie in Oklahoma/on the Tonys? Cool, now imagine the entire cast is that same kind of awesome. The Artistic Director at Phamaly is the incomparable Regan Linton, and I’m really thrilled to have been invited to collaborate with her and her peeps.

I also get to work with the phenomenal Jessica Kubzansky who, as both a freelance director and as artistic director of Boston Court Theatre in Pasadena, has brought the most exciting plays/productions to the LA Basin.

As if all that wasn’t good enough, this project will be a lovely, cross-generational, UCSD get together as I (class of ’06) get to work with the aforementioned Regan Linton (class of ’13), AND MacGregor Arney (class of ’16).

So, really, what’s not to love?

The workshop will be closed to the public but I’m very excited about this play, so write to your Congressional representatives BECAUSE WE NEED ELECTION SECURITY NOW. And then, hopefully, in some post-45….er, post-Covid-19 world, this play will quickly appear on our stages.

July was crazy, y’all….

An X-ray of Tim's broken foot. So that you know he's not playing.

Broken 5th metatarsal: bad. But look how beefy my 1st metatarsal is!

At the end of June, in this order, the following happened…

– I had an outbreak of shingles.
– I broke my foot.
– Oh, and you know, our country continued to fail to respond usefully both to the Covid-19 crisis and to 400 years of racism, oppression, and the inequality that we have forced on Native Americans, Black folks, and every other person of color who has come here with the hope of making a better life for themselves and their families.

This means lots of career things have slipped through the cracks. I will be updating those over the coming days in, perhaps, no particular order. I hope they can provide you, as they have me, a tiny of bit of relief and distraction from the shitshow that is the world in 2020.

More soon…

I wrote a #newplay in 24 Hours

Tune in TONIGHT (Tuesday, March 24) at 6pm to see my play “The Time Machine,” starring Ryan Haddad.

Excited to share that I was asked to write for the latest round of The 24 Hour Plays: Viral Monologues. I got to write for the inimitable Ryan J. Haddad, and I’m so excited to see him work his magic!

Tune in TONIGHT (Tuesday, March 24)  on their website and/or on their Instagram channel @24hourplays. They’ll start posting monologues at 6pm EDT, with a new one being posted every 15 minutes.

And check this out: my name is mentioned on Playbill.com in the same press release as Hamilton star Daveed Diggs.

 

UPDATE on “We declare you a terrorist…”

 

 

Hi all.

So thrilled to share some news about my play “We declare you a terrorist…” 

This past fall, Round House Theatre in Bethesda, MD, expressed their interest in producing the play and offered me a finishing commission to do a big rewrite of the play. I gladly accepted and dove back in to working on it.

Well, I’m happy to share that Round House has officially announced that they will be producing WDYAT during their 2020-21 season with Artistic Director Ryan Rilette & Jared Mezzocchi at the helm.

Check out the official season announcement here. Terrorist will run from April 6-May 16, 2021.

Until then, you can check out pictures from the SPF 2009 production here.

And read an excerpt here.

And if you’re thinking, “Hold on, hold on, back up a sec. Tell me more about this play.” Then this section is for you:

We Declare You a Terrorist examines the 2002 Moscow Theatre Hostage crisis and the ways in which it changes one of the survivors, leading him down a road of dissent and resistance against the burgeoning dictatorship his home is turning into. After being held hostage in a Moscow theater by terrorists demanding an end to Russia’s war in Chechnya, one man is still haunted by the relationships he made during the crisis and unable to move past the tragic events that surrounded the siege’s conclusion. In a desperate attempt to understand where he and his country have come to he attempts to sneak into Chechnya only to be captured by Russian agents and suspected of being a terrorist himself. All alone in an interrogation room on the Russian frontier he is forced to confront just what happened during those fifty-seven hours in 2002.

The play is a 4-hander which bounces back and forth before the Dubrovka Theatre in 2002 and an interrogation room on the Russian frontier in 2003.

If you’re interested in producing it, don’t hesitate to reach out to me at the following:

timjlord.playwright [at] gmail [dot] com